The Eurovision Song Contest Was Once a Lighthearted Spectacle – However It Has Transformed Into a Calculated Tool to Whitewash War.

An recent initialism emerged several months following the onset of the intensive bombing of Gaza by Israel. Known as WCNSF, it signifies “Child casualty without any family left”. This acronym is specific to Gaza, per insights from health professionals including child health specialists. Typically, it is uncommon for medical staff to attend to a young patient who has seen the death of their whole family. Yet, there has been absolutely nothing ordinary regarding the genocide in Gaza, where complete genealogies have been obliterated and the number of children who have lost limbs is greater than that of any other place in the world. Nothing ordinary in scores of doctors coming back from a devastated terrain with testimonies of children being intentionally shot at.

A Hell on Earth Despite a Supposed Ceasefire

Conditions in Gaza persist as a profound humanitarian disaster. Essential medical supplies are not getting in those in need, and groups like Amnesty International contend that violations are ongoing. The Israeli government rejects these claims, consistent with how it denies each claim it is accused of. Meanwhile, while traumatised orphans are now freezing in makeshift tent camps, there is some ostensibly positive news: nothing is going to stop the Eurovision song contest from pursuing its declared purpose of “togetherness and cultural exchange.” Eurovision will continue to extend a blood-red carpet for Israel, despite the fact that a number of European countries have now pulled out in protest. Since this, it seems, is what global togetherness resembles.

The contest, notably prohibited Russia from participating in 2022 because of the “unprecedented crisis in Ukraine”. However, the situation in Gaza seems entirely distinct.

Contradictory Principles

Disregard the reality that Israel was accused of questionable voting tactics last year in what seems to have been an attempt to manipulate Eurovision. Forget the fact that a young child was reportedly killed in Gaza just days ago. Pay no mind to the evidence that aggression from Israeli settlers and coerced removal in the West Bank have increased dramatically. Forget the fact that international journalists are still denied freely reporting in Gaza. None of this, apparently, should be seen as a barrier of Eurovision’s self-proclaimed spirit of unity.

The Pageant Proceeds Against a Backdrop of Unimaginable Suffering

The contest turns 70 next year – almost double the current lifespan of someone in Gaza now. The show may go on, but it will likely never recapture the camp joy it was formerly known for. A contest that once promoted togetherness has transformed into a blatant mechanism to whitewash war.

Anna Welch
Anna Welch

Mikael Voss is a passionate gaming journalist with over a decade of experience covering esports and indie game development.