‘I truly required a break after that!’ The most gripping episodes of TV of all time
Spooks – I Spy Apocalypse from 2003
This installment starts with the Spooks team confined as part of a simulation concerning a fictional terrorist event, overseen by two Home Office officials. As events unfold, it seems an actual attack has occurred and a chemical weapon has been unleashed. The anxiety increases as incoming communications show a catastrophe taking place outside, and escalates as the superior shows signs of exposure, and the government agents endeavor to depart, forcing Matthew Macfadyen’s character to opt for either shooting them or allowing them to leave and endangering the sterile MI5 environment. This being Spooks, the outcome is expected.
The 1984 production Threads
Threads had minimal funding yet among the scariest shows I have ever watched due to its harsh realism and bleak government data. Watched it about a month ago having watched the original; I often attended the bar in Sheffield featured in the show which emphasised the reality and the casual, straightforward government details that aired. Remaining completely frightening 35 years later.
Severance – The We We Are (2022)
The concluding episode of Severance’s debut season ranks highly in terms of gripping installments. I was throughout the episode literally perched nervously, pushing alongside Dylan to maintain his grip on the controls that sustained the Innies’ extended time, while screaming at the Innies to disclose their facts. The final climactic moment – “she survives!” – felt like an explosion.
The 2024 Industry episode White Mischief
Installment five in Industry’s third series made my pulse quicken. I was compelled to halt and rise and depart the area multiple times because of the sheer scale of the wanton self-destruction I saw. Rishi Ramdani is in deep shit in his job and domestic life – up to his eyeballs in debt to loan sharks due to his addictive betting, engaging in dangerous ventures with a bet on sterling which may result in huge losses for his employer. So of course, he goes on a gambling spree, consumes excessive substances and alcohol and experiences wins and losses, is brutally attacked. Every time you think the situation cannot deteriorate further, it deteriorates. There is a chance for salvation at the end of the episode yet he wastes the chance, leading to terrible outcomes in the concluding part of the season. Definitely needed a lie-down after that!
The 2007 Peep Show episode Holiday
The series Peep Show isn’t typically anxiety-inducing. Yet the installment Holiday includes such amounts of embarrassment that it will make you rise throughout the entire episode, riddled with anxiety. It all ramps up when Jeremy and Mark realize having to lie about the dog they unintentionally hit and following tries to eliminate it. You subsequently use the rest of the installment wondering if it might be more awful than cremation, and it is possible!
The 2001 The West Wing episode The Two Cathedrals
Nothing I’ve watched has been more intense compared to my initial viewing the second season finale of The West Wing. The show opens with the fallout of the death (in a traffic accident) of the president’s confidential aide and escalates to a高潮 with a situation in Haiti, and the effects of the withheld information regarding the president’s multiple sclerosis diagnosis, along with affirmation of his plan to seek re-election. Wonderful television. Never bettered.
Bodyguard – episode one (2018)
The beginning of the UK show Bodyguard, featuring the main character on a train accompanied by his small son, is for me one of the most intense episodes ever. He notices a Muslim female entering the restroom and knows something is off. The bomb squad is alerted, get on the train, and attempt to convince the woman to remove her explosive vest. Suspense rises to an almost unbearable degree, until, indeed, the vest is disarmed.
The 2001 Buffy episode The Body
Buffy arrives at her residence to realize her mom has deceased from natural reasons, which is the rarest form of demise in this supernatural show. The show features no musical score, a somber mood, and we witness the episode via the perspective of Buffy’s shock of discovering her mother.
The Sopranos – Made in America (2007)
The concluding moment of the last installment of the show was pants-wettingly tense. And for those who saw it during its initial broadcast, you – at the start – didn’t understand the cause. Tony’s enemies, real and imagined, were all overcome. Doesn’t this resemble the season one conclusion? “Recall the minor details.” But the mood is bizarrely ominous. Approaching Twin Peaks-esque horror. The family gathers in a diner. Meadow parks. Tony gloomily informs Carmela difficulties are arising with yet another of his crew collaborating with the authorities. Meadow parks. Unfamiliar individuals come into the diner. Stare at Tony(?) Meadow parks. Tony plays a track on the music machine. Meadow parks. The bell rings, someone enters the restaurant. Can’t be Meadow, she’s still parking. Tony raises his gaze. Keep going. It halts. My heart dropped from my mouth around 20 minutes subsequently.
The 2016 The Walking Dead episode The Last Day on Earth
I kept late hours to see this show at 2am. It was incredibly tense after the establishment of antagonist Negan discovering the characters, mercilessly mocking his targets and then leaving the victim unknown (finished with an unresolved situation). The first-person perspective of the victim and the muffled sounds – argh! {We then had to wait for season seven|We then needed to await season